by Caitlin Buckley

Music embeds itself into our memories. Whether it be the day an album comes out, a song that represents a friendship, or the moment our favourite singer died. Pick a date in musical history and the events of that day are bound to spark nostalgia for thousands of people, but all for individual reasons.

On this day, 4th June, I’m sure it’s no different. In 1942, this date marked the opening of Capitol Records in LA. Starting with a release by Paul Whiteman and His Orchestra, “I Found A New Baby” and “The General Jumped At Dawn”. Founded with $25000, Capitol Records grew to represent Nat King Cole, The Beatles, and Frank Sinatra following its acquirement by EMI in 1955. Nowadays, it sits under Universal Music Group  and boasts acts such as Halsey, Naughty Boy, Paul McCartney, Sam Smith and Nine Inch Nails. Record companies are as relevant today as they were in 1942, they continue to grow and adapt to meet new demands. Two years ago, record companies in the UK saw a surge in earnings of 10.6% after overcoming the hurdle of illegal streaming and embracing the popularity of established streaming sites such as Spotify, Apple Music and Amazon Music.

Record-breaking history also began with this date. The Beatles started a 28 week run at No.1 in the UK charts with “Sgt Pepper's Lonely Hearts Club Band” in 1967.  Furthermore, the album found itself back at No.1 in 2017 after being re-released for the 50th birthday of the record. They had already managed to exceed this 4 years earlier, however, with 30 weeks at the top with “Please Please Me”. Simon and Garfunkel still hold the record for 33 weeks at the top in 1970 with their album, “Bridge Over Troubled Water”.

Many people remember the day an album was released. On this day in 1984, Bruce Springsteen released his album, “Born In The USA” . Metallica released, “Load” in 1996, and  Disclosure, “The Face” in 2012.

This date also represents remembrance. In 2017 - Ariana Grande’s commemorative concert for Manchester, One Love, was held on 4th June. Arranged in memory of the 22 people who died in the Manchester Arena 2017 terrorist bombing, the benefit concert included Coldplay, Pharrell Williams, Liam Gallagher and Katy Perry. Benefit concerts have long been used to raise awareness, bring people together, and fundraise. Some of the biggest benefit concerts to date include Concert for Bangladesh in 1971, Live Aid in 1985, and The Concert for New York in 2001.

Every single day of the year is replete with the rich world of musical history and we get to experience it in so many ways.



How Music Increases Economic, Social
and Cultural Growth in Your City

Sound Diplomacy are proud to present the Music Cities Manual, a set of tools, case studies and lessons to increase the value of music in your city, town or place.

We hope cities, regions and places use this guide as a catalyst to improve their communities through music, because evidence demonstrates that this is what happens when music is incorporated in policy early and often.
— Dr. Shain Shapiro, Founder & President, Sound Diplomacy

This document is your introduction to realising what your music policy can deliver.  Music is a revenue stream you haven’t realised yet. And music, when successful, drives growth across a variety of sectors, from film to fashion, education to logistics.  

The Music Cities Manual provides 13 comprehensive, common-sense steps for any city, place or government to incorporate music into its overall strategic aims, goals and management plans. From planning and zoning to industry development, education to health and wellbeing, equity and social inclusion, music is an expansive, powerful tool to develop more representative, participatory urban strategies that can be used to improve urban policy, resilience and growth.

The Music Cities Manual helps to underline the massive cultural and economic contribution music makes to its environment. It is undoubtedly an important document for independent labels, artists and the musical ecosystem as a whole.
— Paul Pacifico, CEO of AIM

The Music Cities Manual further supports a trend emerging around the world - cities are paying more deliberate and intentional attention to their music, culture and night time economies. A dozen new ‘Night Mayor’ posts have emerged over the last few years and music offices are growing globally, being incorporated into both economic development and tourism departments around the world.

Never before has a report been released that links music directly to every city department, and details how it is a tool to improve access, create jobs, drive wealth and support sustainable tourism. With this document and with Sound Diplomacy’s direction, your music policy will create jobs, drive economic growth, support sustainable development goals, increase tourists and improve quality of life.

Music Cities Guide Assets Method

The full Music Cities Guide is available to download now. For more information about the guide or to be a supporter, get in touch here.


SOME OF Our Supporters

The Music Cities Manual should be required reading for any city on the journey to develop sensible and effective music policies. Sound Diplomacy combines deep understanding of how cities function with broad, international experience designing music policy to create a clear, step-by-step guide that can benefit anyone passionate about preserving and improving their music ecosystem.
— Shira Gans, Senior Executive Director, Policy and Programs, NYC Mayor’s Office of Media and Entertainment

I wish that a Music Cities Manual existed back in the 1960s and 1970s when I was running Stax Records. Then it would have been easier to develop relationships across city government and other city policy makers to demonstrate the value of music’s economic and social impact across all cities and all people. This report is a terrific synergy of music’s invaluable influence on society. I profoundly urge everyone to read it - carefully & thoroughly!
— Al Bell, Chairman, Al Bell Presents LLC | Chairman, Former Owner Stax Records

Without its musical heritage, Camden, like many parts of London, would have nowhere near the global status it enjoys. But we mustn’t take this currency for granted and only by planning music into regeneration can we help secure one of our most important legacies and art forms. This report sets out numerous straight-forward solutions that have proven successful globally and need to be recognised in cities around the world.
— Anna Lewis, Board Member, The Roundhouse and Director, Greycoat UK



Sound Diplomacy, the global leaders of the Music Cities movement, in partnership with Pro Colombia and the World Tourism Organization (UNWTO) are proud to launch the world’s most extensive guide ever written on music and tourism.

This is the first report UNWTO has co-authored that specifically looks at music as a primary driver of tourism. Drawing upon experiences from all over the world, it teaches us how music is a tool to enhance destinations and better tell their stories.
— Zurab Pololikashvili, Secretary-General, UNWTO

Titled ‘Music is the New Gastronomy’, the white paper is the first to examine and define the relationship between music and tourism. While we all enjoy music when we're travelling, never has music been looked at as a primary source of travel and tourism, from individual experiences to festivals, music heritage and the use of music videos to promote, and share, local culture and local experience.

In this report, we hope that you learn from the experiences of others, from all over the world, on how music is a tool to enhance your destination and better tell your story.

Both sectors are outpacing global economic growth. The music industry – from streaming to live music – is growing at twice the rate of the global economy right now and in 2017 international tourist arrivals worldwide grew by 7%. This white paper looks at how the sectors can partner to increase economic value on both sides. The report includes case studies examining the role of music in destination development, travel marketing, conferences and experiential travel – from music festivals and heritage music to the use of music videos to promote and share local cultures and experiences. Through these studies, the guide identifies areas for discussion and suggests opportunities for destinations to develop musical tourism products and boost their tourism branding.

We hope these case studies, lessons and experiences help you think more seriously, and deliberately, about your music offer, heritage and story. There's more value there than you know it. Just take a listen, and you'll realise music is a value-add across your entire touristic offer.

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Music is one of the greatest motivations for tourism. Whether live or recorded, experiencing the music of the world is celebrating its rich diversity and talent, promoting intercultural dialogue and encouraging exchange.
— Julian Guerrero, Vice-President of Tourism, ProColombia 


The full Music Tourism White Paper is available free for a limited period only. For more information about the guide, contact us




Published in Summer 2018, this guide is written by Sound Diplomacy and Andreina Seijas. In it, you'll find out to how to develop and expand the benefits that the evening and night time economy create in your city, town and place.

We’re on the forefront of a global movement in night time management. This guide will inspire many cities because it shows the limitless possibilities for improvement the night brings. Cities benefit from having a vibrant night time from social cultural and economic perspective. This Night Time Guide can be the first step for many cities to become thriving 24h cultural and economic hotspots. This guide can be the stepping stone for many cities to improve their night time management.
— Mirik Milan, Former Night Mayor, Amsterdam and Co-Founder, Vibe Lab

We wrote this guide for mayors and their advisors, economic development professionals, tourism agencies, cultural bodies and night time professionals, including owners, operators, artists and managers. It is also meant for planners, licensing professionals, police, environmental health agencies, chambers of commerce, business improvement districts and cultural quarters.  

With this publication, we highlight existing best practices while championing diversity, information-sharing and debate. We feature global thought leaders and case studies, but at the same time leave it open for you to take these ideas home and make them your own.

The full Night Time Economy Guide is available free for a limited period only. For more information about the guide, contact us here.

The Sound Diplomacy Guide to Managing Your Night Time Economy truly is the invaluable toolbox it is intended to be.  It helps clarify the many facets of night time economies around the globe, as well as illuminating strategies for managing nightlife that have been successfully implemented in some of the world’s greatest cities. It is an honour to be part of the community of such visionary nightlife directors, and to have the opportunity to learn from them through resources like this excellent guide.
— Ariel Palitz, Senior Executive Director, Office of Nightlife, New York City





(Or town, province, village or neighbourhood)

We're proud to launch this 'Guide to Becoming a Music City' poster and foldout, which is the best outline of what every city, town or place should do to develop your music ecosystem and sector. 

This poster synergises our thinking on what a music city policy is; and to us, it's everything. It encompasses jobs, skills, transport, tourism, branding and more.

So have a read, and please share. If you're interested in finding out how we can help you develop your music policy and inventory, get in touch

Let's make all our cities, towns and places better. We can do that with music.

Your Guide to Becoming a Music City © Sound Diplomacy. Design & illustration by  Alice Clarke .

Your Guide to Becoming a Music City © Sound Diplomacy. Design & illustration by Alice Clarke.



Vancouver is a stunning city.

They call it the ‘city of glass’ and it really is, with imposing steel-and-glass buildings that create impossible reflections; when you match this with Vancouver’s other name - the ‘rainy city’, you begin to truly appreciate the beauty of the landscape.  Katja and I travelled there last November to meet some of the city’s music stakeholders and in January, I went back to learn more about the city’s music ecosystem.

In just under a week, I met around 120 people from Vancouver’s music and property industries and was lucky enough to visit some of the main music spaces in the city, like the 604 Records Headquarters and several venues at the historic and charming Gastown neighbourhood


Back in November, the 2018 JUNO Award press presentation was hosted at CBC Studios and they announced that this year’s awards would take place in Vancouver, hosted by Michael Bublé and performances by BC-based musicians like the BC Youth Chinese Orchestra.

Michael Bublé  at the 2018 Juno Awards Nominations - Photo courtesy of  Kingston's K-Rock 105.7

Michael Bublé at the 2018 Juno Awards Nominations - Photo courtesy of Kingston's K-Rock 105.7

We also announced the forthcoming Music Cities Convention which will take place on Thursday 22nd March as part of JUNO Week.  I also attended Vancouver’s Creative City Strategy at Roundhouse, a very beautiful Community Centre that hosts music, conferences and theatre.

Both trips helped us understand the city, its people and their social habits; their wants and needs.  It also brought us closer to key music industry bodies and gave us ample opportunity to take in the city’s night time vibe, which is so important to our work on the city’s music strategy.


While the city venues are undergoing a crisis, some of the best venues in town still operate, hosting great shows every night.  The city also has a very interesting underground scene and in summer holds great outdoor events, making the most of the beautiful parks and nature spaces the city has. In Vancouver, creativity is merged into the astonishing natural landscapes, and they are both inserted in the population’s DNA.  The whole music scene is highly committed and willing to work together to transform Vancouver into a Music City.

Every meeting we’ve taken, every interview or roundtable we’ve hosted or attended, every venue we’ve been to and every phone-call has lead to the start of conversations among different agents in the city that are all working towards the same objective - to put Vancouver on the map as a Music City.


The key findings of this project will be presented during Music Cities Forum in March, and the report will conclude in a strategy for the city and the music scene.



An International Benchmarking Study

The Madison Square Garden Company has announced plans to bring a large-scale, state-of-the-art, music and entertainment venue to London.

As part of its due diligence, MSG worked with Sound Diplomacy to assess the London venue market and to compare it with other major cities: ParisBerlinMadrid, and New York City.  Like London, these four cities are standard stops on venue tours, offering state-of-the-art venues to acts and music fans. 

By comparing the populations of these cities to how many venues they have, we identified the average population size per venue (ppv). London had the highest ratio, almost 1 million people-per-venue ahead of the next-most densely serviced city (Berlin). New York, the only city listed with a comparable population size, has almost four times as many venues, which means each venue has a quarter of the audience pressure of London’s venues.

The London Venue Market Report is available to download now. For more information about the report, contact us here.

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Published in May 2017, Sound Diplomacy's Global Music Export Pledge introduces the benefits of music export to governments around the world.

We want every country in the world to have a thriving, active music export initiative. It doesn’t matter how it is set up. It matters how its functions impact the artists it serves. Talent is everywhere, and great talent deserves the best support.

Only some countries and regions have music export initiatives; those that do are very lucky, because the business leaders running them are providing opportunities for artists across the sector, every day. So let’s learn from each other, work together and make music export an integral aspect of national, regional and local cultural policy. Join us at #musicexportpledge

The full Global Music Export Pledge is available free. For more information about the report, contact us here.

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