MEET OUR U.S. LEAD ELIZABETH CAWEIN


As Sound Diplomacy announces plans for American outpost, get to know our first boots on the ground

Guest post by Elizabeth Cawein.


I don’t remember the exact day, month or year that I became obsessed with music – I imagine it really set in far too early for my recorded memory – but I do remember when I became obsessed with music and cities.

It was 2015, and I’d been spending the better part of the year working to build a nonprofit export office in my hometown of Memphis that would focus on leveraging our music for talent attraction, tourism and economic development, while creating a needed pipeline for our musicians to grow their national audiences. In the midst of that work I’d become interested in the interesting ways other cities – in the U.S. and across the globe – were approaching supports for their music ecosystems.

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Enter Sound Diplomacy and the Music Cities Convention, the first-ever in the states, held at Georgetown University in Washington, D.C. in October of 2015. I saw a Billboard story about the conference by chance and was immediately intrigued. But it was just a few weeks away, so I figured it wasn’t practical to try to make it work. I decided to check flights, just in case, sure that the last-minute price gouging would make the decision for me.

Somehow, the flights were hovering around $115.

Almost as soon as I closed my Kayak.com search tab, I had an e-mail from my husband – he would need to be in D.C. at the end of the month for a conference. The exact dates of the Music Cities Convention. If I didn’t think it was kismet then (I did), I certainly know it was now.

That one-day event left me feeling the best kind of exhausted: my brain absolutely swimming with ideas, my passions ignited, and my preconceived notions smashed. I was hooked.

At the close of the conference I marched up to Shain Shapiro, Sound Diplomacy President and Founder, and asked what I needed to do to bring the Music Cities Convention to Memphis. Two years later, that’s exactly what it did. The Memphis edition of Music Cities Convention, held in October 2017, was in a way the beginning of my working relationship with Sound Diplomacy, as I spent a year working with them to put together the conference programming and logistics.

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A year later, I had the pleasure of working with the Music Cities team again for the Music Cities Convention in Lafayette, La., handling publicity and marketing for the convening. And in January of this year, we made it official. I’m thrilled to join the Sound Diplomacy team, especially at such an exciting time of growth with the opening of a new U.S. home base.

The reality is that America traditionally has lagged behind the rest of the developed world when it comes to funding and supports for arts and culture, so to see so many U.S. cities interested in thinking about innovative ways to grow their music ecosystems and understanding the broad impact that a healthy music community can have for their citizens is exciting, and I hope a sign of a paradigm shift ahead. The prospect of being invited to so many incredible places to discover their music cultures and to help them realize the potential in their own cities is a thrill for my music-and-cities obsessed brain, and an honor.

And beyond my hometown of Memphis – one of America’s richest and most important music cities – Sound Diplomacy is already working with some of my favorite American music hubs: New Orleans, Muscle Shoals and San Francisco.

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I also can’t wait to discover the music of Indianapolis, Fort Worth, and Huntsville. (And so many others I can’t mention just yet!) What I know to be true is that music makes our cities better. It drives economic impact, it creates jobs and attracts talent. It invites people to our cities, brings in hotel tax dollars and creates cultural connection through tourism. It improves education, it brings life to our neighborhoods. It gives us pride in a shared civic identity and makes us invest and care deeply in who we are as a city. And when our musicians thrive, our cities are full of creative people who can very often bring creative solutions to civic problems.

When our musicians thrive, our cities thrive. I’m driven by that belief, and lucky to be part of an organization that believes it, too.


THE MUSIC CITIES MANUAL


How Music Increases Economic, Social
and Cultural Growth in Your City

Sound Diplomacy are proud to present the Music Cities Manual, a set of tools, case studies and lessons to increase the value of music in your city, town or place.


We hope cities, regions and places use this guide as a catalyst to improve their communities through music, because evidence demonstrates that this is what happens when music is incorporated in policy early and often.
— Dr. Shain Shapiro, Founder & President, Sound Diplomacy

This document is your introduction to realising what your music policy can deliver.  Music is a revenue stream you haven’t realised yet. And music, when successful, drives growth across a variety of sectors, from film to fashion, education to logistics.  

The Music Cities Manual provides 13 comprehensive, common-sense steps for any city, place or government to incorporate music into its overall strategic aims, goals and management plans. From planning and zoning to industry development, education to health and wellbeing, equity and social inclusion, music is an expansive, powerful tool to develop more representative, participatory urban strategies that can be used to improve urban policy, resilience and growth.

The Music Cities Manual helps to underline the massive cultural and economic contribution music makes to its environment. It is undoubtedly an important document for independent labels, artists and the musical ecosystem as a whole.
— Paul Pacifico, CEO of AIM

The Music Cities Manual further supports a trend emerging around the world - cities are paying more deliberate and intentional attention to their music, culture and night time economies. A dozen new ‘Night Mayor’ posts have emerged over the last few years and music offices are growing globally, being incorporated into both economic development and tourism departments around the world.

Never before has a report been released that links music directly to every city department, and details how it is a tool to improve access, create jobs, drive wealth and support sustainable tourism. With this document and with Sound Diplomacy’s direction, your music policy will create jobs, drive economic growth, support sustainable development goals, increase tourists and improve quality of life.

Music Cities Guide Assets Method
The Music Cities Manual should be required reading for any city on the journey to develop sensible and effective music policies. Sound Diplomacy combines deep understanding of how cities function with broad, international experience designing music policy to create a clear, step-by-step guide that can benefit anyone passionate about preserving and improving their music ecosystem.
— Shira Gans, Senior Executive Director, Policy and Programs, NYC Mayor’s Office of Media and Entertainment

 

The full Music Cities Guide is available to download now. For more information about the guide or to be a supporter, get in touch here.

 

SOME OF Our Supporters


SOUND DIPLOMACY IN THE U.S.


SOUND DIPLOMACY TO OPEN U.S. OFFICE IN 2019


Press Release, March 5th, 2019

GLOBAL CONSULTANCY SOUND DIPLOMACY TO OPEN U.S. OFFICE IN 2019

Announcement made in exclusive Billboard Magazine story out today

(NEW ORLEANS, LA) – Sound Diplomacy will open a U.S. office in 2019 to be headquartered in one of the country’s most revered music cities, New Orleans, it was announced today via an exclusive story in Billboard Magazine.

 The international consultancy, which has offices in London, Berlin and Barcelona, has already begun working with diverse U.S. cities to develop strategies for growing the economic impact of music, including historic music regions like Muscle Shoals and emerging music cities like Indianapolis and Fort Worth. The U.S. office – which will open a brick and mortar location later this year – brings with it the growth of Sound Diplomacy’s U.S. team and myriad exciting music and strategy projects from coast to coast.

"The U.S. is one of the most diverse music markets in the world and for us, where we've seen interest in our music cities work since 2015,” says Shain Shapiro, Founder and President of Sound Diplomacy. “Since we staged our first Music Cities Convention in 2015 in Georgetown, to launching our first strategy in Huntsville, Ala., last year, the U.S. has shown us that city leaders are open to music's role and keen to see its value increase. It was a no-brainer for us to choose the U.S. as our next outpost, and something we're very excited about.”

 In January, Greater New Orleans, Inc., announced the launch of the New Orleans Music Economy Initiative, a comprehensive music strategy which will be led by Sound Diplomacy.

“New Orleans is without a doubt, a global leading music city,” Shapiro says. “But it's also one that's emerging, through its burgeoning tech and entrepreneurial community. It's diverse, rich in culture and unique. It also has a direct flight from London and benefits from a progressive incentive scheme provided by the State of Louisiana that directly targets music-focused businesses like ours. The business community there, from Greater New Orleans, Inc., to the Recording Academy, has been incredibly welcoming, helping us identify space, partners and alliances. We can't wait to put our boots on the ground there later this year, in addition to us working with them on the New Orleans Music Economy Initiative (NOME).”

Leading Sound Diplomacy’s expansion efforts in the U.S. is Shapiro, with the support of Elizabeth Cawein, a long-time music publicist turned strategist and advocate based in Memphis. Cawein brings to the role eight years’ experience in music publicity and expertise on music ecosystem strategies gained through her work with Music Export Memphis, an innovative nonprofit that leverages public and private funding to act as an export office for the city’s music culture.

“As a passionate believer that smart cities are music cities, I’m thrilled to be leading Sound Diplomacy’s work in the U.S.,” Cawein says. “We know that when music ecosystems thrive, our cities thrive. I’m particularly excited to connect with leaders across government, tourism, and economic development, to illustrate the immense value of music, in quality of life, in talent attraction, in civic identity and civic pride.”

 In addition to previously announced projects in San Francisco, New Orleans, Huntsville and the Shoals Region, the story in Billboard today also mentions Sound Diplomacy North American projects in Indianapolis, Fort Worth, Northwest Arkansas, and Vancouver, Canada.

For more information, visit www.sounddiplomacy.com or contact:
Elizabeth Cawein
Signal Flow PR
901.268.9038 | elizabeth@signalflowpr.com


NOCTURNAL CITIES - ON THE ROAD


NOCTURNAL CITIES FORUM & CONFERENCE

3 & 22 November 2018
Truro, Nova Scotia, Canada & Bogotá, Colombia


With 10 events in three different continents, 2018 was a fantastic year for Music Cities Events. One of the highlights was the launch of our brand new event series, Nocturnal Cities, with two November editions taking place in Canada and Colombia. The events explored the important role played by the night-time economy and its relationship with city planning and welcomed a total of 410 attendees and 43 speakers from all over the world.

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The inaugural edition of Nocturnal Cities Forum was held in Truro, Nova Scotia, Canada on November 3rd as part of Nova Scotia Music Week and the theme was “Building Stronger Music Communities”. 75 delegates from Canada and the world discussed the role of the night-time economy in a full day of panels, presentations and roundtables.

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November 22 saw Sound Diplomacy, Bogotá Chamber of Commerce and Bogotá Mayor’s Office host the first-ever edition of Nocturnal Cities Conference in Bogotá, Colombia. The Conference hosted 335+ delegates from all over Colombia and the world and featured a full day of panels and presentations, as well as an afternoon work session and an evening concert.

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Prior to the events, Sound Diplomacy and Andreina Seijas published a Night Time Economy Guide outlining the benefits that the evening and night-time economy create, this laid the foundation for the ideas explored in the events.

The conference also led to the creation of a Manifesto aimed at providing guidelines and strategies on how to improve the night-time economy in Latin American cities. The document provides a detailed analysis of the night-time economy and the challenges and opportunities that come with it. The document is now available for download here.

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Here are the events in numbers:

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A huge shout out goes to our partners:

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The next editions of Nocturnal Cities Forum & Conference will be confirmed soon. In the meantime, have a look at our Bogota event report!

#NocturnalCitiesNS   #NSMW2018
#BogotáNocturna  #NocturnalCities

https://www.nocturnalcities.co/



MONTHLY ROUNDUP - FEBRUARY


WHAT WE’VE BEEN DOING IN FEBRUARY

A month of events, exciting announcements
and U.S. activity.


Highlights from last month:

  • We announced Julia Eberdal’s appointment as Sound Diplomacy’s new CEO, we’re so pleased to welcome her to the team. Read the press release here.

  • To kick start the Sound Diplomacy events calendar for 2019 and to engage with an increasingly hot topic concerning the urban planning and culture sectors, we hosted Sound Development, our quarterly mini-series discussion at East London’s newest destination, Republic. Our event chair Kat Hanna has written a little overview of the event here.

  • Earlier this month saw the launch of the Cultural Cities Enquiry report, looking at developing a new model to help culture flourish in our cities. Our Founder Shain Shapiro was part of the Board leading the Enquiry whose purpose was to "consider how we can radically increase the ability of our cities to use culture to drive inclusive growth". The report is now available to download here.

  • We returned to the House of Lords for our penultimate session in our Music in Society inquiry, this month investigating the role of music in driving economic growth. Read more here.

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What we’ve been reading:


What we’ve been listening to:

Paloma from our Barcelona office lays down a Diva themed playlist. In her words, "February is a tough month, so it's good to have some diva pep talk to support you!"


What we’re looking forward to…

This month we’re starting by heading to ITB in Berlin to promote our Music Tourism Convention, at the same time Danny will be at ILMC talking about how music can be used to boost tourism. We’ll also be at SXSW with lots of activity happening there and MIPIM. Come and say hello if you’re there!

MUSIC CITIES CONVENTION CHENGDU: HERE’S THE LATEST


MUSIC CITIES CONVENTION CHENGDU

April 11-12, 2019 • Chengdu, China


The first Asian Music Cities Convention is set to be our biggest event yet: find out why.

On 11-12 April 2019, Music Cities Events will travel to Chengdu for the first ever Music Cities Convention to be held in China. The event will feature two full days of panels, presentations and roundtables, a traditional Chinese dinner and performance, a concert, an amazing extra tourism and networking day and the guarantee to meet key representatives from all over the world.

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So far we’ve confirmed 24 amazing speakers from China, Australia, UK, USA, Germany, France, Jamaica, Brazil, Malaysia and South Korea. Alongside this we’ll have delegations from Japan, Israel, Russia and of course delegates from all over China. Our current speaker list looks like this:

  • Ariel Blum, Co-founder, Grid Series (Australia)

  • Bonnie Dalton, General Manager, Victorian Music Development Office (Australia)

  • Chloé Nataf, Head of Cultural Entrepreneurship, Trempolino & Coordinator, European Music Incubator (France)

  • Craig Ray, Director, Visit Mississippi (USA)

  • Dani Ribas, Head of Research, Data and Studies, SIM SÃO PAULO (Brazil)

  • Denise Stanley-Chard, Founder, Clock Your Skills (UK)

  • Dennis Madsen, Manager of Urban & Long-Range Planning, City of Huntsville (USA)

  • Francesco Leonardi, Project Development, Interkultur and World Choir Games (Germany)

  • Gillian McDaniel, Principal Director, Culture and Creative Industries Policy Division, Ministry of Culture Gender Entertainment & Sport (Jamaica)

  • Grace Meadows, Programme Director, Music for Dementia 2020 & The Utley Foundation (UK)

  • Councillor Huw Thomas, Leader of Cardiff Council (UK)

  • Isabella Pek, Founder, SEAMEX (Malaysia)

  • Janie Finlay, Councillor & Former Mayor, City of Launceston (Australia)

  • Jasper Donat, Co-founder and CEO, Branded Ltd & President of Music Matters (Hong Kong)

  • Jesse Elliott, Director, The Music District in Fort Collins (USA)

  • Kamel King, Bureau Manager for Music & Culture, Visit Mississippi (USA)

  • Kate Ben-tovim, Associate Director of Arts Centre Melbourne’s Asia Pacific Triennial of Performing Arts (Asia Topa) & Creative Director Of Turning World (Australia)

  • Kurtis Blow, Hip Hop legend, First Ever Certified Gold Record Rapper, Associate Producer on The Get Down & NYC Nightlife Advisory Board Member (USA)

  • Prof. Lee Dong Yeoun, Author, Professor at Korea National University of Arts, General Director of Platform Changdong61 by Seoul City Government, and Co-Organiser of DMZ Peace Train Music Festival (South Korea)

  • Lisa Gedgaudas, Program Administrator, Create Denver, Denver Arts & Venues | City and County of Denver (USA)

  • Martin Elbourne, Co-Founder, Music Cities Convention & The Great Escape and Head booker at Glastonbury (UK)

  • Dr. Michael Seman, Director of Creative Industries Research and Policy, College of Arts & Media , University of Colorado Denver (USA)

  • Pierce Freelon, Professor, Director, Musician, Emmy-Award winning producer, and former candidate for Mayor of Durham, NC (USA)

  • Lord Tim Clement Jones, Chair of the Music in Society Inquiry & Co-Chair of the All-Party Parliamentary Group on Artificial Intelligence, the House of Lords, UK Parliament (UK)

  • Yin Long, CEO, MIDI Music Media (China)

  • Yngvil Vatn Guttu, Executive Director, Northern Culture Exchange & Founding Director of Spenard Jazz Fest (USA/Norway)

Learn more about our speakers here.

And have a look at the initial schedule here.

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We can’t wait to meet you in Chengdu and discuss the role music plays in our cities.
Our final Early Bird runs till 15th March and tickets are available at the special price of $145 USD. Get yours now by heading here.

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SOUND DEVELOPMENT 2019 - ROUND UP


MUSIC, HIGH STREET REGENERATION AND COLLECTIVE ACTION

Guest post by Kat Hanna.


To kick start the Sound Diplomacy events calendar for 2019 and to engage with an increasingly hot topic concerning the urban planning and culture sectors, we hosted Sound Development, our quarterly mini-series discussion at East London’s newest destination, Republic.

We’ve invited our event chair Kat Hanna to provide an overview of the discussion from the event.

Tuesday February 5th, Republic, East India Dock


Whether it’s the almost daily announcement of closures or the empty units that have left high streets looking like gap-toothed smiles, the need for high street regeneration is hard to avoid. Yet while the symptoms of their struggle may be obvious, the cause is harder to diagnose. Too much retail. Not enough quality retail. The rise of online shopping. The decline of community.

As any well-assembled panel will tell you, the answer, of course, is that many high streets are struggling for a number of reasons, and so their regeneration will require a range of solutions. What these solutions have in common, however, is the ability to bring together a range of people to a specific place. In doing so, high streets not only offer what online shopping cannot – shared, embodied, human experience and interaction.

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The evening provided many examples of how music can help address the symptoms of a struggling high street. Dave Gray from Wrexham talked about the transformation of a former JJB Sports store into a community hub, focused around music, yet flexible enough to host exhibitions, meet-ups and all manner of events. Architects Tom and James Teatum emphasised the benefits of high streets that accommodate a range of uses, including residential and manufacturing, rather than simply retail.

But to use music to simply fill empty retail units is to overlook the full potential of music – not just as a source of demand for space, but as a vital contributor to local economies, communities, and individuals themselves. Just as Julia Jones was keen to point out the regenerating the high street should be about more than rescuing retailers, music should be used to generate human interactions, as well as just cash transactions.

Too often, the social and retail functions of the high street are presented as being in opposition to one another. In the recent past, there is perhaps some truth in this, as we today lament the passing of high street chains many communities once blamed for killing off independents. Yet as our discussion revealed, what works for the retail functions of the high street can also work for its social functions, and vice versa. Here’s three key takeaways that stand to benefit both these aspects of a successful high street.

  1. A range of spaces can attract a range of uses: A diversified high street means of mix of uses, and a mix of spaces. This requires a supportive, and perhaps more flexible planning system that encourages co-location and celebrates, or at least tolerates activity (including when its noisy and nocturnal). It requires developers to understand the nuanced needs of potential tenants, providing space suitable for both the production and consumption of music. Contrary to some assumptions, this does not always need to be specialised – as Achar Dillon of Killing Moon pointed out.

  2. Experience is everything: What high streets brands sought to offer based on cost and convenience can no longer compete in the age of online shopping. If retailers want to generate footfall, they must provide what cannot be offered with the swipe of a hand. Music may not be the only way of creating this experience, but its universality, adaptability and accessibility make it a particularly powerful way to do so. As Jennifer Wood from Southwark council highlighted, these qualities make music an increasingly common feature in social prescribing – addressing social, physiological and physical problems with non-medical, community-based solutions.

  3. Communicating value: The ability of music-related uses to animate or adapt of underused or ‘awkward’ spaces should not prohibit long-term investment in real-estate that supports the industry. This requires the music sector to focus on setting out its value, to local economies, high streets, and communities, ensuring that the sector is valued in its own right, not only as a tool used for placemaking or promotion.

As Lawrence Jones from Trilogy emphasises, these principles extend beyond the built form of the high street. Successful spaces, including workplaces, are those that offer a mix of experience, that encourage interaction between users, and that can adapt to a range of use, not just during the lifetime of a building, but the daily routines of an individual.


About the Author, Kat Hanna:

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KAT HANNA, ASSOCIATE DIRECTOR, URBAN CHANGE, CUSHMAN AND WAKEFIELD

An experienced urbanist and researcher, Kat Hanna has worked in London politics, planning and policy for the past seven years. Her research interests include urban economies, transport, and the relationship between technology and the built environment. Kat joined Cushman and Wakefield in 2017, focusing on long-term mixed-use development projects in London and trends in how we live, work and move around in cities.

Kat regularly appears as a commentator on urban affairs across a range of publications, media, and events, and was shortlisted for the EG Rising Star Award for 2018.


SOUND DIPLOMACY WELCOMES NEW CEO


SOUND DIPLOMACY WELCOMES NEW CHIEF EXECUTIVE OFFICER, JULIA EBERDAL


Press Release, February 2019


Sound Diplomacy, the leading strategic consultancy using music to drive economic growth in cities and places all over the world is welcoming its first external Chief Executive Officer, Julia Eberdal. Julia will join founders Shain Shapiro, PhD and Jordi Puy; as well as Alexandra Notay, the Build-to-Rent Fund Director for PfP Capital, the fund management business of Places for People; Nicole Yershon, CEO of Lab for Hire and bestselling author of Rough Diamond, Turning Disruption into Advantage; Robert C. Hain (CEO & Chairman, City Financial); Derek Linfield (Legal Consultant and Chairman of Cornish Lithium Limited and Mkango Resources Limited); and Scott Cohen (Co-Founder, The Orchard and Co-founder, Cyborg Nest) on the Sound Diplomacy Holdings Board.


Julia’s strong financial background and diverse skill set stemming from her previous roles covering business analysis, financial modelling, financial advisory and investments add a unique value proposal to Sound Diplomacy.


Complementing the Sound Diplomacy teams’ established and well known background in Music and Creative Services, Julia holds an MSc in Economics and Business majoring in Finance from Stockholm School of Economics, as well as an MA in International Management from London School of Economics, through the CEMS MIM Programme. A native Swedish speaker, she has worked for organisations of all sizes, from BlackRock and Handelsbanken Capital Markets to small specialised firms. She has managed projects in the UK, Europe, Australia, the Middle East, and Sub-Saharan Africa, having worked mainly within the infrastructure sector.


Shain Shapiro, PhD commented, “We are thrilled to welcome Julia to Sound Diplomacy. Her background in the City brings a wealth of experience to us, especially as we’re accelerating our global expansion and developing new technologies to recognise the value of music in cities. She is a star and makes Sound Diplomacy bigger, better and more agile. I can’t wait for what’s next.”


On her appointment, Julia commented, “I am very pleased to be joining Sound Diplomacy at such an exciting time of growth and expansion. We will be expanding into the US this year and I look forward to driving the development and execution of our corporate strategy going forward.”


Chairman Robert C. Hain added, “I’ve admired Julia’s work for some time. We know her knowledge and experience is an asset and a competitive advantage for us as we expand our portfolio of projects across cities, governments and corporations around the world.”


Sound Diplomacy has offices in London, Berlin and Barcelona, and is in the process of opening an office in the United States, later in 2019. Sound Diplomacy have expanded its global footprint developing music strategies around the world and advising the real estate sector and large, international organisations. Known for expanding the ‘music cities’ model, which sees music strategies incorporated into cities’ economic development, tourism and industrial expansion plans, Sound Diplomacy count amongst its clients Greater New Orleans Incorporated, Lendlease, Greater London Authority, United Nations Industry Development Organisation (UNIDO), UN Global Communications, City of San Francisco, Walton Family Foundation, Legal and General, Indianapolis Chamber, City of Huntsville Alabama, Manchester City Football Club, Madison Square Garden and the City of Brisbane. The firm also convenes the leading global suite of conferences on the role of music and public policy, including Music Cities Convention (in partnership with Martin Elbourne of The Great Escape, Glastonbury and NH7 Festivals), Music Tourism Convention and Sound Development. Over 200 city representatives have attended their events, from all continents bar Antarctica.

Sound Diplomacy is thrilled to continue to develop and champion a model that demonstrates the economic value of music in cities, towns and places around the world, with Julia at the helm. Former CEO Shain Shapiro will move on to serving the company as its Founder and President.

For more information, visit www.sounddiplomacy.com

Media enquiries: kayla@sounddiplomacy.com


MONTHLY ROUNDUP


WHAT WE’VE BEEN DOING IN JANUARY

As January comes to a close we reflect on
kick-starting the year with a bang…


Highlights from last month:

  • Shain kicked off the year with a New Year’s message, including some of our big plans for the year to come (Medium) - read more here.

  • Our Music Cities Network headed to Eurosonic Festival to host a music showcase featuring emerging artists from Denmark, Germany and Netherlands - learn more about the Network here.

  • We’ve announced our next Sound Development event on the 5th February at Republic. The event will bring together music and real estate to explore how you can use music as a tool for high street regeneration. All ticket donations will go to to #IAMWHOLE’s #M4MH campaign - register for the final tickets here!

  • Earlier this year we got together with Group Partners’ John Caswell for an amazing visual thinking session. A big shout out to John for helping us understand not only where we're going, but also why it matters.

  • Last week saw the launch of a very exciting project in one of our favourite places. We’re working New Orleans on the New Orleans Music Economy initiative and economic impact study. We can’t wait to get involved in the thriving music scene there. Read more on the project here. #NOME @GNOinc

What we’ve been reading:

What we’ve been listening to:

And finally:

  • There’s a few new spaces cropping up in London, we visited Walthamstow’s new Creative Works last week, a great new workspace for creatives. We’re also very excited to hear more about the new Paul Institute and the Centre for Music, two new spaces for creative incubation and development.